Grief is fertile territory for horror, but while the script picks at Baghead’s thematic underpinnings, Corredor skips all but the most essential exposition, staying focused on delivering what the audience wants.
Baghead cannot grapple with bigger questions; instead, it is mostly just satisfied with cheap jump scares that don’t provide any value or comfort to those who have suffered loss. And even as a basic scary horror, it just doesn’t hold the goods.