I found this an effective, low-keyed thriller with a thought-provoking sidebar, i.e., the lead character's moral dilemma: does he confess to one "crime" which may lead to being tried for a larger crime he did not commit? A minor tour-de-force for protagonist, Henry Czerny, who has his own take on Robert Redford's "uncomfortable look;" whereas Redford's is largely cerebral, Czerny has his churning guts (guilt, guilt)emerge through his eyes.
Film is also well-directed by veteran Till who knows something about pacing and editing (he knows what to leave out and when, which I appreciate) as well as establishing mood. He must also have a feel for film noir since he does a nice job with Czerny's trapped man role. The basic plot line is nothing out of the ordinary, but Till and company invest it with some inventive twists and shadings, such as how Czerny must deal with an incriminating video cassette and the person who views it. There's also a convincing sense of the town with its affluent trappings. Admittedly, the revelation of the real murderer is somewhat unsatisfying but is followed through with thought and imagination.
Up until this review, voting had been at 4.8, which makes it seem underrated to me. I saw it while sick at home and it grabbed my attention while I dozed or slept through other movie offerings. If you like quiet suspense films with noir overtones, you might this worth your time.