Memento International has boarded “Arenas,” Camille Perton’s feature debut set in the world of professional soccer, starring Édgar Ramírez (“Carlos”), Iliès Kadri (“Nobody’s Hero”), Sofian Khammes (“November”) and Lorenzo Zurzolo (“Eo”).
Now in post-production, the film shot across Lyon, Monaco, Nice and Baku in Azerbaijan. Memento International will kick off sales at the Unifrance Rendez-Vous showcase in Paris next week.
The film follows Brahim, a rising soccer star who is about to sign his first contract at his prestigious hometown club. But when a mysterious and powerful agent disrupts the negotiations, Brahim discovers the shady side of the business. Torn between loyalty and money, he will engage in a race against time to claim his destiny.
“Arenas” is produced by Eve Robin and Judith Lou Lévy for Les Films du Bal, the ambitious independent company behind Mati Diop’s Cannes prizewinner “Atlantics,” “Ahed’s Knee” by Nadav Lapid and the...
Now in post-production, the film shot across Lyon, Monaco, Nice and Baku in Azerbaijan. Memento International will kick off sales at the Unifrance Rendez-Vous showcase in Paris next week.
The film follows Brahim, a rising soccer star who is about to sign his first contract at his prestigious hometown club. But when a mysterious and powerful agent disrupts the negotiations, Brahim discovers the shady side of the business. Torn between loyalty and money, he will engage in a race against time to claim his destiny.
“Arenas” is produced by Eve Robin and Judith Lou Lévy for Les Films du Bal, the ambitious independent company behind Mati Diop’s Cannes prizewinner “Atlantics,” “Ahed’s Knee” by Nadav Lapid and the...
- 1/8/2024
- by Elsa Keslassy
- Variety Film + TV
Alain Guiraudie’s “Nobody’s Hero,” which opened the Panorama section of the Berlin Film Festival, is lighter than his last two films, the critically adored “Stranger By the Lake” (a Hitchcockian tale of murder and cruising) and its less loved follow-up, “Staying Vertical.” But one thing it shares with them is its abundance of naked flesh and candid sex.
The wry opening scene introduces Médéric (Jean Charles Clichet), an unattached thirtysomething who lives in Clermont-Ferrand in central France. The gray, rainy town is presented as being resolutely ordinary, and so is Médéric, a freelance computer programmer who is always either sucking on his e-cigarette or jogging up and down the hilly streets in unflattering running gear. He isn’t wholly conventional, though. After a moment’s hesitation, he marches up to a fiftysomething prostitute (Noémie Lvovsky) and announces that he wants to have coffee with her. True, he wants to have sex with her,...
The wry opening scene introduces Médéric (Jean Charles Clichet), an unattached thirtysomething who lives in Clermont-Ferrand in central France. The gray, rainy town is presented as being resolutely ordinary, and so is Médéric, a freelance computer programmer who is always either sucking on his e-cigarette or jogging up and down the hilly streets in unflattering running gear. He isn’t wholly conventional, though. After a moment’s hesitation, he marches up to a fiftysomething prostitute (Noémie Lvovsky) and announces that he wants to have coffee with her. True, he wants to have sex with her,...
- 2/10/2022
- by Nicholas Barber
- Indiewire
Viens je t’emmène (Nobody’s Hero)
Another project we thought had an outside chance at premiering in 2021 (and might have been passed on due to it being a comedy), Alain Guiraudie‘s Viens je t’emmène is now lined up for an early 2022 release. Produced by Charles Gillibert and written by Guiraudie and Laurent Lunetta, Guiraudie’s sixth feature is nowhere near in tone compared to Cannes Comp titles Stranger by the Lake (2013) or 2016’s Staying Vertical. Starring Noemie Lvovsky, Jean-Charles Clichet, and Ilies Kadri, this looks to be paranoia bliss.
Gist: Named for a song by Frances Gall, Christmas Eve is ruined by an act of terrorism in the city of Clermont-Ferrand.…...
Another project we thought had an outside chance at premiering in 2021 (and might have been passed on due to it being a comedy), Alain Guiraudie‘s Viens je t’emmène is now lined up for an early 2022 release. Produced by Charles Gillibert and written by Guiraudie and Laurent Lunetta, Guiraudie’s sixth feature is nowhere near in tone compared to Cannes Comp titles Stranger by the Lake (2013) or 2016’s Staying Vertical. Starring Noemie Lvovsky, Jean-Charles Clichet, and Ilies Kadri, this looks to be paranoia bliss.
Gist: Named for a song by Frances Gall, Christmas Eve is ruined by an act of terrorism in the city of Clermont-Ferrand.…...
- 1/14/2022
- by Eric Lavallée
- IONCINEMA.com
Viens je t’emmène / Come, I Will Take You There
For his sixth film, French auteur Alain Guiraudie tackles the strangeness of more intimate human entanglements with Viens je t’emmène. If Stranger by the Lake (2013) tackled the hedonism of casual sex and 2016’s Staying Vertical (read review) could be read as a strange metaphor on courtship, his latest is meant to question the myth of “living together.” His latest stars Noemie Lvovsky, Jean-Charles Clichet, and Ilies Kadri and is being produced by CG Cinema.
Gist: Named for a song by Frances Gall (listen here), in Viens je t’emmène Christmas Eve is ruined by an act of terrorism in the city of Clermont-Ferrand.…...
For his sixth film, French auteur Alain Guiraudie tackles the strangeness of more intimate human entanglements with Viens je t’emmène. If Stranger by the Lake (2013) tackled the hedonism of casual sex and 2016’s Staying Vertical (read review) could be read as a strange metaphor on courtship, his latest is meant to question the myth of “living together.” His latest stars Noemie Lvovsky, Jean-Charles Clichet, and Ilies Kadri and is being produced by CG Cinema.
Gist: Named for a song by Frances Gall (listen here), in Viens je t’emmène Christmas Eve is ruined by an act of terrorism in the city of Clermont-Ferrand.…...
- 1/3/2020
- by Nicholas Bell
- IONCINEMA.com
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