Movie News
Writer-director John Krasinski‘s original family film IF has started off its box office run with $1.8 million in Thursday previews.
The fantasy pic, headlining Ryan Reynolds and Cailey Fleming alongside an A-list voice cast, explores the world of discarded imaginary friends and what happens when a young girl and her neighbor try to reunite them with their previous human pals.
The live-action/CGI animated Paramount pic is tracking for a domestic debut in the $40 million range from more than 4,000 theaters, but the family marketplace continues to struggle in the post-pandemic era. Nor is original fare an easy proposition. It’s hard to read too much into Thursday previews since families don’t start turning out in earnest until Friday and Saturday, generally speaking, although some exhibitors are worried the movie could have a hard time getting to $40 million based on presales, according to sources.
Reviews aren’t so great — If...
The fantasy pic, headlining Ryan Reynolds and Cailey Fleming alongside an A-list voice cast, explores the world of discarded imaginary friends and what happens when a young girl and her neighbor try to reunite them with their previous human pals.
The live-action/CGI animated Paramount pic is tracking for a domestic debut in the $40 million range from more than 4,000 theaters, but the family marketplace continues to struggle in the post-pandemic era. Nor is original fare an easy proposition. It’s hard to read too much into Thursday previews since families don’t start turning out in earnest until Friday and Saturday, generally speaking, although some exhibitors are worried the movie could have a hard time getting to $40 million based on presales, according to sources.
Reviews aren’t so great — If...
- 5/17/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Daniel Baur’s K5 Intl. has sold out most of international on Kevin Costner’s two-part Western epic “Horizon: An American Saga,” with only a few territories left, ahead of its world premiere Sunday in Cannes’ out of competition section.
K5 closed sales to Tobis Film (German-speaking territories), Metropolitan Filmexport (France), Stan Entertainment (Australia), Unicorn (Eastern Europe), Sf Studios/Ab Svensk (Scandinavia), Echo Lake Distribution (Airlines), EnterMode (South Korea), Falcon Films (Middle East), Nos Lusomundo (Portugal), Tanweer (Greece), MadMen (Australia), Parallax Studios/Saga Film (Philippines), Aqua Group (Turkey) and Myndform (Iceland).
Warner Bros./New Line will give the films wide releases in the U.S., Canada, the U.K., Spain, Italy and the Netherlands on June 28 and Aug. 16.
Last year, Baur re-launched K5 Intl. with a new focus on high-budgeted elevated genre films and series. When Baur received the call from producer Howard Kaplan of Territory Pictures that he was...
K5 closed sales to Tobis Film (German-speaking territories), Metropolitan Filmexport (France), Stan Entertainment (Australia), Unicorn (Eastern Europe), Sf Studios/Ab Svensk (Scandinavia), Echo Lake Distribution (Airlines), EnterMode (South Korea), Falcon Films (Middle East), Nos Lusomundo (Portugal), Tanweer (Greece), MadMen (Australia), Parallax Studios/Saga Film (Philippines), Aqua Group (Turkey) and Myndform (Iceland).
Warner Bros./New Line will give the films wide releases in the U.S., Canada, the U.K., Spain, Italy and the Netherlands on June 28 and Aug. 16.
Last year, Baur re-launched K5 Intl. with a new focus on high-budgeted elevated genre films and series. When Baur received the call from producer Howard Kaplan of Territory Pictures that he was...
- 5/17/2024
- by Leo Barraclough
- Variety - Film News
A new entry in the “Insidious” franchise has been set for the theaters. The next installment of the Blumhouse Productions horror property, co-produced by Screen Gems, has been added to Sony’s theatrical slate, with the studio dating the film for an Aug. 29, 2025 release.
No further details on the project were disclosed, including whether series regulars such as Patrick Wilson and Leigh Whannell would be involved. The newly announced feature is different from “Thread: An Insidious Tale,” an in-universe series spin-off that was first reported on by Deadline in May 2023 and is said to star Mandy Moore and Kumail Nanjiani, with Jeremy Slater attached to write and direct.
Barring no other “Insidious” installments releasing before this newly announced one, this would mark the sixth entry in the horror franchise and the first since last year’s “Insidious: The Red Door,” which saw actors Patrick Wilson and Ty Simpkins return to...
No further details on the project were disclosed, including whether series regulars such as Patrick Wilson and Leigh Whannell would be involved. The newly announced feature is different from “Thread: An Insidious Tale,” an in-universe series spin-off that was first reported on by Deadline in May 2023 and is said to star Mandy Moore and Kumail Nanjiani, with Jeremy Slater attached to write and direct.
Barring no other “Insidious” installments releasing before this newly announced one, this would mark the sixth entry in the horror franchise and the first since last year’s “Insidious: The Red Door,” which saw actors Patrick Wilson and Ty Simpkins return to...
- 5/17/2024
- by J. Kim Murphy
- Variety - Film News
The revival of I Know What You Did Last Summer is appropriately set to hit theaters in the dead of summer.
Sony Pictures announced Thursday that its new film with the same name as the original 1997 slasher flick is set for theatrical release domestically on July 18, 2025. Jennifer Kaytin Robinson (Do Revenge) is directing the sequel from a screenplay she co-wrote with Sam Lansky after an initial script from Leah McKendrick. Neal Moritz produces the film.
The Hollywood Reporter previously reported that Jennifer Love Hewitt and Freddie Prinze Jr. were in talks to reprise their roles from the first movie that hit theaters Oct. 17, 1997.
Also scheduled for release on July 18, 2025, is Paramount’s Naked Gun reboot from director Akiva Schaffer that features Liam Neeson as bumbling detective Frank Drebin.
The original I Know What You Did Last Summer starred Hewitt, Prinze, Sarah Michelle Gellar and Ryan Phillippe. It was penned by...
Sony Pictures announced Thursday that its new film with the same name as the original 1997 slasher flick is set for theatrical release domestically on July 18, 2025. Jennifer Kaytin Robinson (Do Revenge) is directing the sequel from a screenplay she co-wrote with Sam Lansky after an initial script from Leah McKendrick. Neal Moritz produces the film.
The Hollywood Reporter previously reported that Jennifer Love Hewitt and Freddie Prinze Jr. were in talks to reprise their roles from the first movie that hit theaters Oct. 17, 1997.
Also scheduled for release on July 18, 2025, is Paramount’s Naked Gun reboot from director Akiva Schaffer that features Liam Neeson as bumbling detective Frank Drebin.
The original I Know What You Did Last Summer starred Hewitt, Prinze, Sarah Michelle Gellar and Ryan Phillippe. It was penned by...
- 5/16/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
Freddy Fazbear will return to haunt multiplexes in 2025.
Universal and Blumhouse’s “Five Nights at Freddy’s 2,” a horror sequel set in the haunted Chuck E. Cheese-esque establishment known as Freddy Fazbear’s Pizza, will land in theaters on Dec. 5, 2025.
Universal added several Blumhouse titles to its release calendar, including “The Woman in the Yard” and “Drop”. The studio also shifted the dates for two other buzzy sequels: “M3GAN 2.0” from May 16, 2025, to June 27, 2025; and “The Black Phone 2” from June 27, 2025, to Oct. 17, 2025.
“Five Nights at Freddy’s,” adapted from the popular video game, made a killing at the box office last October with $297 million globally and became Blumhouse’s highest-grossing film of all time — all while streaming simultaneously on Peacock. Josh Hutcherson starred in the original as a nighttime security guard at Freddys Fazbear’s Pizza, where the animatronic mascots are prone to murder. The studio hasn’t clarified who is returning for the follow-up,...
Universal and Blumhouse’s “Five Nights at Freddy’s 2,” a horror sequel set in the haunted Chuck E. Cheese-esque establishment known as Freddy Fazbear’s Pizza, will land in theaters on Dec. 5, 2025.
Universal added several Blumhouse titles to its release calendar, including “The Woman in the Yard” and “Drop”. The studio also shifted the dates for two other buzzy sequels: “M3GAN 2.0” from May 16, 2025, to June 27, 2025; and “The Black Phone 2” from June 27, 2025, to Oct. 17, 2025.
“Five Nights at Freddy’s,” adapted from the popular video game, made a killing at the box office last October with $297 million globally and became Blumhouse’s highest-grossing film of all time — all while streaming simultaneously on Peacock. Josh Hutcherson starred in the original as a nighttime security guard at Freddys Fazbear’s Pizza, where the animatronic mascots are prone to murder. The studio hasn’t clarified who is returning for the follow-up,...
- 5/16/2024
- by Rebecca Rubin
- Variety Film + TV
Neon has bought North American rights to “The Unknown” (“L’Inconnue”), the hotly anticipated next movie from “Anatomy of a Fall”’s Oscar-winning co-writer Arthur Harari.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
Mofac Animation has found Jesus.
Oscar Isaac has signed on to portray Jesus Christ in The King of Kings, the animated family film being made by the South Korean-based animation house. At the same time, Forest Whitaker has been tapped to give voice to the apostle Peter.
The duo join a growing A-list voice cast that includes Kenneth Branagh, Uma Thurman, and Jojo Rabbit actor Roman Griffin Davis.
Seong-ho “Jay” Jang, known as a visual effects pioneer in Korea, is directing King of Kings while Anfernee Kim (Last Knights, John Woo’s The Crossing 2) is producing.
The faith-based feature is very loosely inspired by The Life of Our Lord, a little-known Charles Dickens short story that was published posthumously and that depicted the life and times of Jesus.
The script, by Jang and Rob Edwards (Disney’s The Princess and the Frog), sees Charles and Walter Dickens, voiced by Branagh and Davis,...
Oscar Isaac has signed on to portray Jesus Christ in The King of Kings, the animated family film being made by the South Korean-based animation house. At the same time, Forest Whitaker has been tapped to give voice to the apostle Peter.
The duo join a growing A-list voice cast that includes Kenneth Branagh, Uma Thurman, and Jojo Rabbit actor Roman Griffin Davis.
Seong-ho “Jay” Jang, known as a visual effects pioneer in Korea, is directing King of Kings while Anfernee Kim (Last Knights, John Woo’s The Crossing 2) is producing.
The faith-based feature is very loosely inspired by The Life of Our Lord, a little-known Charles Dickens short story that was published posthumously and that depicted the life and times of Jesus.
The script, by Jang and Rob Edwards (Disney’s The Princess and the Frog), sees Charles and Walter Dickens, voiced by Branagh and Davis,...
- 5/16/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
Stephen Curry has netted a new scripted project as the basketball superstar continues making inroads as a Hollywood playmaker.
Curry’s producing banner Unanimous Media and David Henrie’s Cedar Hill are developing the basketball-focused comedy feature Trick Shot. A director has yet to be attached to the film that has a script from Jay Longino, whose previous writing credits include Uncle Drew (2018) and Skiptrace (2016).
Trick Shot centers on a middle school student who is dismal at basketball until a freak accident occurs, and he suddenly can’t miss a shot. His newfound hoops talent leads him to become an unexpected NBA rookie, where he is soon an integral member of his favorite team.
Producers include Curry and Erick Peyton for Unanimous Media, David Henrie and James Henrie for Cedar Hill and Ben Everard for Everard Entertainment. Longino and Unanimous’ Brian Testuro Ivie serve as executive producers.
Curry is a...
Curry’s producing banner Unanimous Media and David Henrie’s Cedar Hill are developing the basketball-focused comedy feature Trick Shot. A director has yet to be attached to the film that has a script from Jay Longino, whose previous writing credits include Uncle Drew (2018) and Skiptrace (2016).
Trick Shot centers on a middle school student who is dismal at basketball until a freak accident occurs, and he suddenly can’t miss a shot. His newfound hoops talent leads him to become an unexpected NBA rookie, where he is soon an integral member of his favorite team.
Producers include Curry and Erick Peyton for Unanimous Media, David Henrie and James Henrie for Cedar Hill and Ben Everard for Everard Entertainment. Longino and Unanimous’ Brian Testuro Ivie serve as executive producers.
Curry is a...
- 5/16/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
British actor Janet Montgomery has landed a starring role as a young Faye Dunaway in Jonathan Baker’s supernatural love story “Fate,” a film that is shooting in Vancouver for Baker Entertainment.
The film will toggle between a yesteryear version of the character (Montgomery) and a present-day incarnation (Dunaway), spanning much of the protagonist’s entire lifetime. “Fate” revolves around a firefighter (Brandon Routh) who connects with a stranger from the past Tilly (Montgomery) while he’s healing at a rehabilitation center and is transported through time to find the only thing saving his soul — his realization of true love, according to a producer’s logline.
Highland Film Group is selling rights to the $10 million film, which also stars Harvey Keitel, at the Cannes Marche.
Dunaway is on the ground in Cannes, where HBO screened the much-anticipated biographical documentary “Faye.”
Montgomery was cast out of hundreds of actors vying for the role.
The film will toggle between a yesteryear version of the character (Montgomery) and a present-day incarnation (Dunaway), spanning much of the protagonist’s entire lifetime. “Fate” revolves around a firefighter (Brandon Routh) who connects with a stranger from the past Tilly (Montgomery) while he’s healing at a rehabilitation center and is transported through time to find the only thing saving his soul — his realization of true love, according to a producer’s logline.
Highland Film Group is selling rights to the $10 million film, which also stars Harvey Keitel, at the Cannes Marche.
Dunaway is on the ground in Cannes, where HBO screened the much-anticipated biographical documentary “Faye.”
Montgomery was cast out of hundreds of actors vying for the role.
- 5/18/2024
- by Tatiana Siegel
- Variety - Film News
Paramount’s family comedy “If” is leading domestic charts in its opening after earning $10.3 million from more than 4,041 locations across Friday and preview screenings. But the John Krasinski-directed fantasy feature has decidedly fallen behind its projections heading into the weekend, which had originally forecast a debut around $40 million. The film is now looking to finish closer to $31.5 million.
It’s a marked underperformance for the PG-rated family film, which sports a substantial $110 million production budget. Reviews have been mediocre, but the public’s sentiment is much more positive with audience survey firm Cinema Score turning in a glowing “A” grade from the first group of ticket buyers. That seal of approval could mark some salvation for “If,” which will have to keep drawing in families as schools let out for summer to justify its price tag. Paramount will face competition for younger viewers when Sony’s animated “The Garfield Movie...
It’s a marked underperformance for the PG-rated family film, which sports a substantial $110 million production budget. Reviews have been mediocre, but the public’s sentiment is much more positive with audience survey firm Cinema Score turning in a glowing “A” grade from the first group of ticket buyers. That seal of approval could mark some salvation for “If,” which will have to keep drawing in families as schools let out for summer to justify its price tag. Paramount will face competition for younger viewers when Sony’s animated “The Garfield Movie...
- 5/18/2024
- by J. Kim Murphy
- Variety - Film News
The Paul Schrader Renaissance began the moment “First Reformed” debuted to the director’s best reviews in at least 15 years, back in 2017. The spiritual trilogy formed around it — “The Card Counter” and “Master Gardener” — have fostered in a new generation’s mind this frankly narrow vision of what constitutes a Paul Schrader movie: men in rooms, pens across diaries, peculiar revenge plots.
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
- 5/18/2024
- by Nick Newman
- Indiewire
The Chinese title of Jia Zhangke’s mesmerizing “Caught by the Tides,” a masterfully poetic and pioneering fusion of the old and the new, can be translated in several ways. Jia himself suggests “The Drifting Generation,” but it can also mean “The Romantic Generation” with the etymology of “romantic” lying in the Chinese words for wind and current. The restless motion of the natural world is certainly captured in the English title’s reference to an ocean’s ebb and flow. But what that version cannot adequately convey is the airiness and the yearning that Jia whips in to “Caught by the Tides” — quite miraculously considering he is largely working with repurposed footage from across the last 23 years of his justly celebrated career.
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
- 5/18/2024
- by Jessica Kiang
- Variety - Film News
A searching and scattershot portrait of displacement that’s as likely to resonate with Jia Zhang-ke devotees as it is to mystify those who are new to his work, “Caught by the Tides” finds the Chinese auteur returning the most pivotal characters and locations that have defined his movies over the last two decades. Then again, perhaps it would be more accurate to say that he never left them.
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
- 5/18/2024
- by David Ehrlich
- Indiewire
The best part of “Savages” is its opening scene, which says less about the overall quality of Claude Barras’ sophomore feature and more about the strength of the vignette that establishes the stop-motion movie’s world. Against atmospheric music, the quote “The world does not belong to us. We borrow it from our children” flashes on screen, followed by images of a lushly rendered clay forest, brimming with life and energy. An adorable baby orangutan is briefly threatened by a small but deadly snake, before being rescued and cared for by his protective mother. Atop a tree, the mother gently breastfeeds her young son, in an idyllic image that is quickly disrupted by the sound of chainsaws, and abruptly, the tree falls to the ground, revealing a construction site filled with lumber and a factory spewing pollution into the air. The title “Savages” comes on screen against this image, and...
- 5/18/2024
- by Wilson Chapman
- Indiewire
The entrance to the Palais in Cannes was closed briefly Saturday afternoon after a bomb scare due to a “suspicious” item.
The Cannes press office confirmed that there was a suspicious package found on the street but not inside the Palais.
Police officers shut down part of the Croisette, the street that runs in front of the Palais, and prevented pedestrians from crossing in either direction. A specialist police unit was observed inspecting a rucksack in the middle of the crosswalk. Both La Croisette and the Palais entrance were reopened at 3.10 p.m. local time.
“There was something they thought was a bomb, but there was no bomb,” a woman manning the Information Desk at the Marche told Variety. “They closed the street when I was going to lunch, but then I heard it’s open again by the time I came back.”
Another woman working for the festival’s security office said,...
The Cannes press office confirmed that there was a suspicious package found on the street but not inside the Palais.
Police officers shut down part of the Croisette, the street that runs in front of the Palais, and prevented pedestrians from crossing in either direction. A specialist police unit was observed inspecting a rucksack in the middle of the crosswalk. Both La Croisette and the Palais entrance were reopened at 3.10 p.m. local time.
“There was something they thought was a bomb, but there was no bomb,” a woman manning the Information Desk at the Marche told Variety. “They closed the street when I was going to lunch, but then I heard it’s open again by the time I came back.”
Another woman working for the festival’s security office said,...
- 5/18/2024
- by Leo Barraclough, Tatiana Siegel and Elsa Keslassy
- Variety - Film News
Cannes: You are no doubt familiar with the work of Renate Reinsve. The Norwegian actress earned accolades for her performance in Joachim Trier’s stellar “The Worst Person in the World,” and if you happened to attend the 2024 Sundance Film Festival this past January, you may have seen her in Aaron Schimberg’s lauded “A Different Man.” Reinsive has already proven her prowess as an actress, but there is a scene in her latest endeavor, “Armand,” which, and excuse the justified hyperbole, is simply startling.
Continue reading ‘Armand’ Review: Renate Reinsve Is Simply Spectacular As A Mother In The Crosshairs [Cannes] at The Playlist.
Continue reading ‘Armand’ Review: Renate Reinsve Is Simply Spectacular As A Mother In The Crosshairs [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
Yorgos Lanthimos can’t stop (won’t stop!) working with Oscar winner Emma Stone, casting the actress once again as leading lady for his next project “Bugonia.”
The drama will also star Jesse Plemons who, along with Stone, appears in Lanthimos’ forthcoming “Kinds of Kindness.” That three-chapter feature just premiered on Friday at this year’s Cannes Film Festival.
“Bugonia” follows two conspiracy-obsessed young men who kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth. The script is from heat-seeking “Succession” and “The Menu” writer Will Tracy.
Focus Features has won domestic rights to distribute the project. Universal Pictures will roll out the film in global territories, save Korea where “Parasite” producer Cj Enm will release. The latter is financing the film with Fremantle. CAA Media Finance and WME Independent brokered the rights deal.
This package is loaded with pedigree.
The drama will also star Jesse Plemons who, along with Stone, appears in Lanthimos’ forthcoming “Kinds of Kindness.” That three-chapter feature just premiered on Friday at this year’s Cannes Film Festival.
“Bugonia” follows two conspiracy-obsessed young men who kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth. The script is from heat-seeking “Succession” and “The Menu” writer Will Tracy.
Focus Features has won domestic rights to distribute the project. Universal Pictures will roll out the film in global territories, save Korea where “Parasite” producer Cj Enm will release. The latter is financing the film with Fremantle. CAA Media Finance and WME Independent brokered the rights deal.
This package is loaded with pedigree.
- 5/18/2024
- by Matt Donnelly
- Variety - Film News
The entrance to the Palais was temporarily closed in Cannes this afternoon (May 18) following a bomb scare around what festival staff termed a “suspicious item”.
The street outside the Palais was shut down, with police officers preventing pedestrians crossing in either direction. A group of specialised officers was inspecting a rucksack in the middle of the crosswalk.
The press terrace that faces towards the Croisette was also closed.
Neither the Palais nor the surrounding area was evacuated, however the area around the Palais was restricted and no queuing was allowed directly in front of the building. A group of people...
The street outside the Palais was shut down, with police officers preventing pedestrians crossing in either direction. A group of specialised officers was inspecting a rucksack in the middle of the crosswalk.
The press terrace that faces towards the Croisette was also closed.
Neither the Palais nor the surrounding area was evacuated, however the area around the Palais was restricted and no queuing was allowed directly in front of the building. A group of people...
- 5/18/2024
- ScreenDaily
(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
"This isn't art. It isn't even great trash. It's a con game, and we bear the claw marks." That's what critic Rita Kempley wrote for the Washington Post in a particularly scathing review of Roland Emmerich's 1998 movie, "Godzilla." It was the first attempt by Hollywood to bring the classic monster to life in America, and it was a spectacular failure. That's what Warner Bros., Legendary, and director Gareth Edwards were working against while crafting 2014's "Godzilla." Skepticism was built in. They had to prove that a film within this franchise made outside of Japan could work.
They did that and then some.
"Godzilla is one of the world's most powerful pop culture icons, and we at Legendary are thrilled to be...
"This isn't art. It isn't even great trash. It's a con game, and we bear the claw marks." That's what critic Rita Kempley wrote for the Washington Post in a particularly scathing review of Roland Emmerich's 1998 movie, "Godzilla." It was the first attempt by Hollywood to bring the classic monster to life in America, and it was a spectacular failure. That's what Warner Bros., Legendary, and director Gareth Edwards were working against while crafting 2014's "Godzilla." Skepticism was built in. They had to prove that a film within this franchise made outside of Japan could work.
They did that and then some.
"Godzilla is one of the world's most powerful pop culture icons, and we at Legendary are thrilled to be...
- 5/18/2024
- by Ryan Scott
- Slash Film
Fans of Greek surrealist filmmaker Yorgos Lanthimos know that there's a lot to love about his dark, bizarre films, but it can be very difficult to recommend them to people. Social rules are often thrown out the window and what we think of as standard human behavior is often turned on its head, which make his films uncomfortable even before digging into some of the tougher subject matter. For those who are willing to view the world through Lanthimos' slightly tilted (and fish-eyed) lens, however, these films are beautiful explorations of the human condition. But which is the best? If someone were going to dip their toe into his work, or only had the time and energy to watch one film, which film should they pick?
Fear not, intrepid film fan, because I'm here with the definitive /Film ranking of all of Lanthimos' feature films -- from his earliest Greek-language efforts to his latest,...
Fear not, intrepid film fan, because I'm here with the definitive /Film ranking of all of Lanthimos' feature films -- from his earliest Greek-language efforts to his latest,...
- 5/18/2024
- by Danielle Ryan
- Slash Film
Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do. From “Taxi Driver” to “Master Gardener,” the director’s work returns time and time to a man sitting by a desk with only an open journal, his words, and a small lamp for company.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
- 5/18/2024
- by Rafa Sales Ross
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
The world of “Bridgerton” is no stranger to competition. Among London’s elite, wealthy debutantes and ambitious suitors vie for attention and supremacy on every level, from status and title to the very notion of a “diamond” — the best the season has to offer. What better way to celebrate the eagerly awaited Season 3 (Part 1 now streaming and Part 2 due June 13) than by revisiting past and previous diamonds?
Now that there are fully 20 of them out in the world, we decided to rank the best “Bridgerton” episodes, and to not overly favor any one season over another. A show doesn’t become an overnight popular horny period sensation without some certified bangers (pun intended), so we revisited Seasons 1 and 2 along with Season 3 – Part 1 to pull the greatest hits.
The world of “Bridgerton” is no stranger to competition. Among London’s elite, wealthy debutantes and ambitious suitors vie for attention and supremacy on every level, from status and title to the very notion of a “diamond” — the best the season has to offer. What better way to celebrate the eagerly awaited Season 3 (Part 1 now streaming and Part 2 due June 13) than by revisiting past and previous diamonds?
Now that there are fully 20 of them out in the world, we decided to rank the best “Bridgerton” episodes, and to not overly favor any one season over another. A show doesn’t become an overnight popular horny period sensation without some certified bangers (pun intended), so we revisited Seasons 1 and 2 along with Season 3 – Part 1 to pull the greatest hits.
- 5/18/2024
- by Proma Khosla
- Indiewire
Paramount Global may be a direct competitor, but NBCUniversal Studio group chairman and chief content officer Donna Langley will be disappointed if the media giant goes away.
“It’s sad,” Langley said at the Kering Women in Motion talk at the Cannes Film Festival, noting that a sale of Paramount means there will be fewer Hollywood studios. “These companies have been great and I’m a big believer in this competitive landscape — kind of ‘all boats will rise. There’s enough to go around.’ I like having healthy competitors; it’s much more fun and interesting and it’s just best for the business.”
Paramount has been entertaining offers in recent months, with companies like Skydance and Sony circling the studio. Langley is hopeful that the deal will be finished by the end of the year. “It’s enough already reading about this,” she said. “No one really knows what’s happening.
“It’s sad,” Langley said at the Kering Women in Motion talk at the Cannes Film Festival, noting that a sale of Paramount means there will be fewer Hollywood studios. “These companies have been great and I’m a big believer in this competitive landscape — kind of ‘all boats will rise. There’s enough to go around.’ I like having healthy competitors; it’s much more fun and interesting and it’s just best for the business.”
Paramount has been entertaining offers in recent months, with companies like Skydance and Sony circling the studio. Langley is hopeful that the deal will be finished by the end of the year. “It’s enough already reading about this,” she said. “No one really knows what’s happening.
- 5/18/2024
- by Brent Lang
- Variety - Film News
When it debuted in 2006, Showtime's "Dexter" was a pay cable exclusive. The darkly comic show about a Florida blood spatter analyst who doubled as a serial killer was part of Showtime's push towards HBO-level original programming, a wave of great (or at least initially great) content that also included Jenji Kohen's suburban drug dealer dramedy "Weeds," the smutty historical drama "The Tudors," and controversial lesbian soap "The L Word."
Fast forward nearly two decades, and Showtime looks a lot different. The streamer is now bundled in with Paramount+, and has been awkwardly retitled Paramount+ with Showtime. The last great Showtime hit bearing the premium channel's original name was "Yellowjackets," the great cannibal high schooler series that will be back for its third season. Showtime may have gone through tons of changes in recent years, but if you're just now getting on board with "Dexter," there's no better time: the show...
Fast forward nearly two decades, and Showtime looks a lot different. The streamer is now bundled in with Paramount+, and has been awkwardly retitled Paramount+ with Showtime. The last great Showtime hit bearing the premium channel's original name was "Yellowjackets," the great cannibal high schooler series that will be back for its third season. Showtime may have gone through tons of changes in recent years, but if you're just now getting on board with "Dexter," there's no better time: the show...
- 5/18/2024
- by Valerie Ettenhofer
- Slash Film
Last year’s Barbenheimer was hailed as saving cinema. Now takings are down and even franchises are falling flat. Can Hollywood manoeuvre itself out of this disaster zone?
In Hollywood, the first weekend of May is traditionally seen as the official kick-off of the summer movie season: an auspicious blockbuster date that has, of late, become rather a boring one.
Since 2007, when Spider-Man 3 (three full cycles ago in that deathless franchise) topped the box office – and barring two years where the global pandemic threw the mainstream release schedule into disarray – that weekend has been the exclusive domain of Marvel superhero adaptations, through to Guardians of the Galaxy Vol. 3 claiming the No 1 spot last May. That stranglehold was set to continue this year, with the legacy-milking superhero mash-up comedy Deadpool & Wolverine scheduled for a 3 May release. It doubtless would have creamed the competition, too, had last year’s...
In Hollywood, the first weekend of May is traditionally seen as the official kick-off of the summer movie season: an auspicious blockbuster date that has, of late, become rather a boring one.
Since 2007, when Spider-Man 3 (three full cycles ago in that deathless franchise) topped the box office – and barring two years where the global pandemic threw the mainstream release schedule into disarray – that weekend has been the exclusive domain of Marvel superhero adaptations, through to Guardians of the Galaxy Vol. 3 claiming the No 1 spot last May. That stranglehold was set to continue this year, with the legacy-milking superhero mash-up comedy Deadpool & Wolverine scheduled for a 3 May release. It doubtless would have creamed the competition, too, had last year’s...
- 5/18/2024
- by Guy Lodge
- The Guardian - Film News
While “Bridgerton” is known for its steamy sex scenes, Season 3 lead star Nicola Coughlan asked for even more sultry moments onscreen.
The actress told Stylist (via Buzzfeed) that she wanted to be “very naked” for a particular scene in the latest Netflix season.
“I specifically asked for certain lines and moments to be included,” Coughlan said of working with intimacy coordinator Lizzy Talbot. “There’s one scene where I’m very naked on camera, and that was my idea, my choice. It just felt like the biggest ‘fuck you’ to all the conversation surrounding my body; it was amazingly empowering. I felt beautiful in the moment, and I thought, ‘When I’m 80, I want to look back on this and remember how fucking hot I looked!'”
She added of collaborating with Talbot, “You go, ‘Ok, what do I want to show? What don’t I want to show? What’s scripted,...
The actress told Stylist (via Buzzfeed) that she wanted to be “very naked” for a particular scene in the latest Netflix season.
“I specifically asked for certain lines and moments to be included,” Coughlan said of working with intimacy coordinator Lizzy Talbot. “There’s one scene where I’m very naked on camera, and that was my idea, my choice. It just felt like the biggest ‘fuck you’ to all the conversation surrounding my body; it was amazingly empowering. I felt beautiful in the moment, and I thought, ‘When I’m 80, I want to look back on this and remember how fucking hot I looked!'”
She added of collaborating with Talbot, “You go, ‘Ok, what do I want to show? What don’t I want to show? What’s scripted,...
- 5/18/2024
- by Samantha Bergeson
- Indiewire
New York actor was taken to hospital after a stranger punched him in the face while he was walking in Manhattan on 8 May
A man wanted in connection with the random attack on actor Steve Buscemi on a New York City street earlier this month was arrested on an assault charge on Friday, police said.
The 66-year-old star of Boardwalk Empire and Fargo was walking in midtown Manhattan on 8 May when a stranger punched him in the face, city police said. He was taken to a hospital with bruising, swelling and bleeding to his left eye, but was otherwise Ok, his publicist said at the time.
A man wanted in connection with the random attack on actor Steve Buscemi on a New York City street earlier this month was arrested on an assault charge on Friday, police said.
The 66-year-old star of Boardwalk Empire and Fargo was walking in midtown Manhattan on 8 May when a stranger punched him in the face, city police said. He was taken to a hospital with bruising, swelling and bleeding to his left eye, but was otherwise Ok, his publicist said at the time.
- 5/18/2024
- by Associated Press
- The Guardian - Film News
Friday at Cannes saw three competition entries make their debut at the Palais: Yorgos Lanthimos’ perverse triptych “Kinds of Kindness,” starring Jesse Plemons, Emma Stone, and Willem Dafoe: Paul Schrader’s “Oh, Canada,” his first competition bow in decades and starring Richard Gere, Jacob Elordi, and Uma Thurman; and Emanuel Parvu’s Romanian drama “Three Kilometers to the End of the World,” added late to the competition.
The entire cast came out to a Croisette packed with starry-eyed passersby and ramparts of street security for “Kinds of Kindness,” Lanthimos’ follow-up to “Poor Things,” which he shot in New Orleans while the latter Oscar winner was in post-production. First reactions call the film a dark and twisted return to form for Lanthimos, who is back in “Dogtooth” and “Killing of a Sacred Deer” mode here with his co-writer Efthimis Filippou. Lanthimos has competed or the Palme twice before with “Sacred Deer” and “The Lobster,...
The entire cast came out to a Croisette packed with starry-eyed passersby and ramparts of street security for “Kinds of Kindness,” Lanthimos’ follow-up to “Poor Things,” which he shot in New Orleans while the latter Oscar winner was in post-production. First reactions call the film a dark and twisted return to form for Lanthimos, who is back in “Dogtooth” and “Killing of a Sacred Deer” mode here with his co-writer Efthimis Filippou. Lanthimos has competed or the Palme twice before with “Sacred Deer” and “The Lobster,...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
The lush opening shots of “Savanna and the Mountain” introduce us to Covas do Barroso, a remote Portuguese village that time forgot. The townspeople are quite content to live a pastoral life of ranching and subsistence farming that hasn’t changed much over the past century. But Paolo Carneiro’s Cannes documentary quickly reveals that changes are coming to their lives whether they like it or not. The only question is whether they allow their town to be turned into something unrecognizable, or devote their lives to political activism with the hopes of stopping it.
Covas do Barroso sits on top of massive lithium deposits, and a British company called Savannah Resources has begun the legal proceedings to use eminent domain to build Europe’s largest open-cast lithium mine where the town currently stands. It’s a tale as old as time: Businessmen and politicians flood the region with promises...
Covas do Barroso sits on top of massive lithium deposits, and a British company called Savannah Resources has begun the legal proceedings to use eminent domain to build Europe’s largest open-cast lithium mine where the town currently stands. It’s a tale as old as time: Businessmen and politicians flood the region with promises...
- 5/18/2024
- by Christian Zilko
- Indiewire
Directors’ Fortnight is always a chance to catch films at the Cannes Film Festival off the main drag of the Croisette, out of the main competition, and with an eye toward boundary-breaking works. Mahdi Fleifel’s Directors’ Fortnight world premiere “To a Land Unknown” is the only Palestinian feature to screen at the festival, and IndieWire shares the exclusive trailer below.
The film follows Chatila (Mahmood Bakri) and Reda (Aram Sabbah), cousins and refugees stranded in Athens and trying to reach Germany. To escape Greece, they hatch a plan to pose as smugglers taking hostages, with dire consequences for their friendship. “It’s especially moving to me, in these incredible times, to present a Palestinian film at Cannes. As Palestinians, we challenge media stereotypes, but more importantly, we defy invisibility, a struggle we’ve faced since the beginning. Our stories are needed now more than ever,” Fleifel, born in Dubai...
The film follows Chatila (Mahmood Bakri) and Reda (Aram Sabbah), cousins and refugees stranded in Athens and trying to reach Germany. To escape Greece, they hatch a plan to pose as smugglers taking hostages, with dire consequences for their friendship. “It’s especially moving to me, in these incredible times, to present a Palestinian film at Cannes. As Palestinians, we challenge media stereotypes, but more importantly, we defy invisibility, a struggle we’ve faced since the beginning. Our stories are needed now more than ever,” Fleifel, born in Dubai...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
Martin Moszkowicz, who recently segued from being CEO of leading German film and TV company Constantin Film to a producing role at the company, has been honored with the Carl Laemmle Producer Award.
The award, presented by the Alliance of German Producers – Film & Television e.V. (Produzentenallianz) and the city of Laupheim, Germany, honors Moszkowicz for his life-time achievements. Among the films Moszkowicz has overseen are “Fack Ju Göhte,” “The Collini Case,” “Resident Evil” and “Monster Hunter.”
The award is endowed with 40,000 euros and was presented in Schloss Großlaupheim, Laupheim, the birthplace of Carl Laemmle, the co-founder of Universal Pictures, in front of 400 invited guests from the worlds of film, politics and business.
Film producer and managing director of Blue Eyes Fiction Corinna Mehner spoke on behalf of the jury: “Martin Moszkowicz is a versatile and daring producer who creates impressive films with verve and enthusiasm, strategic vision and an expert instinct for material,...
The award, presented by the Alliance of German Producers – Film & Television e.V. (Produzentenallianz) and the city of Laupheim, Germany, honors Moszkowicz for his life-time achievements. Among the films Moszkowicz has overseen are “Fack Ju Göhte,” “The Collini Case,” “Resident Evil” and “Monster Hunter.”
The award is endowed with 40,000 euros and was presented in Schloss Großlaupheim, Laupheim, the birthplace of Carl Laemmle, the co-founder of Universal Pictures, in front of 400 invited guests from the worlds of film, politics and business.
Film producer and managing director of Blue Eyes Fiction Corinna Mehner spoke on behalf of the jury: “Martin Moszkowicz is a versatile and daring producer who creates impressive films with verve and enthusiasm, strategic vision and an expert instinct for material,...
- 5/18/2024
- by Leo Barraclough
- Variety - Film News
Irish director Lorcan Finnegan – already behind “Vivarium” – returns to Cannes with “The Surfer.” Starring Nicolas Cage, it follows a man who just wants to surf on a beach next to his old childhood home in Australia. But he is not a local anymore and he will have to fight for it – or lose his mind.
Nic’s character actually references “surfing as a metaphor for life.” Why did you want to explore – and maybe also mock – this philosophy?
I met Thomas Martin, who wrote the film, years ago. We wanted to do something together and then he mentioned “The Surfer.” It was about this one man, trying to deal with who he thinks he is and what he actually wants over the course of five days. It felt very contained, challenging and appealing to me as a filmmaker.
At the beginning of the film, The Surfer says: “You either surf,...
Nic’s character actually references “surfing as a metaphor for life.” Why did you want to explore – and maybe also mock – this philosophy?
I met Thomas Martin, who wrote the film, years ago. We wanted to do something together and then he mentioned “The Surfer.” It was about this one man, trying to deal with who he thinks he is and what he actually wants over the course of five days. It felt very contained, challenging and appealing to me as a filmmaker.
At the beginning of the film, The Surfer says: “You either surf,...
- 5/18/2024
- by Marta Balaga
- Variety - Film News
When television science fiction works, it can change us. However, lasting long enough to make an impact is a hell of a trick. "Star Trek," the keystone franchise for multiple generations of fans and scientists, fought for its survival more than once. In the end, the original, larger than life phenomena lasted only three seasons. In a similar vein, "Babylon 5" remains a quieter but no less impactful series for modern science fiction fans, with the "Lord of the Rings" inspired space opera struggling every year since the poorly reviews first season for more time to finish its planned five year arc -- and a reboot from its original creator is still going through similar trials.
The problem is that good science fiction is always experimental, almost always more expensive than dramas or safe sitcoms, and it relies on an audience hanging in long enough for the plot to really hit its stride.
The problem is that good science fiction is always experimental, almost always more expensive than dramas or safe sitcoms, and it relies on an audience hanging in long enough for the plot to really hit its stride.
- 5/18/2024
- by Margaret David
- Slash Film
Superstar Marilyn Monroe passed away in 1962, but her legacy lives on in the form of several classic movies that still hold up today. The actor and model appeared in plenty of great films across her lifetime, including several that have only grown in public estimation since their release. Among the best: crowd pleasers like "Gentlemen Prefer Blondes," "The Seven Year Itch," and "How To Marry A Millionaire," plus stone-cold classics "Some Like It Hot" and "All About Eve."
Surprisingly, though, Monroe's most popular and obviously beloved movies aren't actually her most acclaimed –- at least according to one major metric. Only one of the films she appeared in during her too-short lifetime has a perfect critical score on review aggregate site Rotten Tomatoes, and it's not any of the titles listed above. Instead, that coveted 100% score goes to "Don't Bother To Knock," a comparatively underseen thriller Monroe starred in...
Surprisingly, though, Monroe's most popular and obviously beloved movies aren't actually her most acclaimed –- at least according to one major metric. Only one of the films she appeared in during her too-short lifetime has a perfect critical score on review aggregate site Rotten Tomatoes, and it's not any of the titles listed above. Instead, that coveted 100% score goes to "Don't Bother To Knock," a comparatively underseen thriller Monroe starred in...
- 5/18/2024
- by Valerie Ettenhofer
- Slash Film
Cannes – They may have already collaborated on three feature films and a short, but get one thing straight. Emma Stone isn’t Yorgos Lanthimos‘ muse. It’s the other way around. As the two-time Best Actress winner noted with a sly wink during the “Kinds of Kindness” press conference, “He’s my muse.”
Read More: ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ twisted triptych on control and the juman condition [Cannes]
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
Read More: ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ twisted triptych on control and the juman condition [Cannes]
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
Paul Schrader will shoot his next feature Non Compos Mentis in the autumn.
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
- 5/18/2024
- ScreenDaily
The unstoppable Paul Schrader, the 77-year-old auteur who just brought his latest movie “Oh, Canada” to Cannes, has announced his next project.
The director revealed he intends to start production this fall on “Non Compos Mentis,” a noir film he is currently writing. The title is derived from the Latin phrase meaning “unsound mind.” That’s not all the film is about, as Schrader say the project deals with “sexual obsession.”
“It’s about the stupid things men do for love,” Schrader elaborated on stage at the festival press conference for “Oh, Canada.” He and producer Daniel Gonzalez have already secured financing and are in the process of casting.
More to come…
More from VarietyPaul Schrader Says He Wrote 'Peace and Love' on Jacob Elordi's Jockstrap Himself for 'Oh, Canada': 'I Took That Burden Off' Wardrobe Department's 'Shoulders'Exploring Gender Issues, Indigenous Peoples, Climate Change, Teen Suicide, Chilean...
The director revealed he intends to start production this fall on “Non Compos Mentis,” a noir film he is currently writing. The title is derived from the Latin phrase meaning “unsound mind.” That’s not all the film is about, as Schrader say the project deals with “sexual obsession.”
“It’s about the stupid things men do for love,” Schrader elaborated on stage at the festival press conference for “Oh, Canada.” He and producer Daniel Gonzalez have already secured financing and are in the process of casting.
More to come…
More from VarietyPaul Schrader Says He Wrote 'Peace and Love' on Jacob Elordi's Jockstrap Himself for 'Oh, Canada': 'I Took That Burden Off' Wardrobe Department's 'Shoulders'Exploring Gender Issues, Indigenous Peoples, Climate Change, Teen Suicide, Chilean...
- 5/18/2024
- by Matt Donnelly
- Variety - Film News
Emma Stone tackled several questions on feminism while speaking at the Cannes Film Festival press conference for Yorgos Lanthimos’ Kinds Of Kindness.
“I mean I am feminist, whether that’s activism or not it just makes sense to me,” the actor said regarding how her feminism influences the films she chooses. “These stories are just stories that feel interesting to me as an actor.
“I don’t know that I’m really the type of actor that’s like ’I need to do this film because it has this particular message’. I just find the characters interesting. The world is interesting,...
“I mean I am feminist, whether that’s activism or not it just makes sense to me,” the actor said regarding how her feminism influences the films she chooses. “These stories are just stories that feel interesting to me as an actor.
“I don’t know that I’m really the type of actor that’s like ’I need to do this film because it has this particular message’. I just find the characters interesting. The world is interesting,...
- 5/18/2024
- ScreenDaily
Paul Schrader had a special job on the set of his latest film, “Oh, Canada”: drawing on the jockstrap that Jacob Elordi wears in one of the Vietnam War drama’s pivotal scenes.
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
- 5/18/2024
- by Matt Donnelly and Ellise Shafer
- Variety - Film News
It's hard to picture two directors as different as James Cameron and John Carpenter. They've worked in similar genres (sci-fi and horror), but their attitudes lie on opposite poles. Cameron, who's famously an intense director, is still in the game and always innovating to make his "Avatar" movies exactly the way he wants to.
Carpenter, meanwhile, is in his "doesn't give an f" era. He's retired (his last film was 2010's "The Ward") because he'd rather play video games and collect royalties. And who can blame him? The man changed the horror game while dropping masterpiece after masterpiece in the '80s (see our list of the best John Carpenter movies here). He's earned time to enjoy the leisurely fruits of his success.
Would you believe that Cameron and Carpenter have worked together before? In 1981, while Cameron was a special effects grunt at New World Pictures (founded by B-movie king...
Carpenter, meanwhile, is in his "doesn't give an f" era. He's retired (his last film was 2010's "The Ward") because he'd rather play video games and collect royalties. And who can blame him? The man changed the horror game while dropping masterpiece after masterpiece in the '80s (see our list of the best John Carpenter movies here). He's earned time to enjoy the leisurely fruits of his success.
Would you believe that Cameron and Carpenter have worked together before? In 1981, while Cameron was a special effects grunt at New World Pictures (founded by B-movie king...
- 5/18/2024
- by Devin Meenan
- Slash Film
The weather didn’t play ball, but Magnus von Horn’s fierce fairytale and Andrea Arnold’s kitchen-sink take on English mysticism should count among the first-week highlights for Greta Gerwig’s jury
The Cannes film festival opens just as the heavens do, too. It’s raining on the red carpet and on the black limousines and on the immaculate white pavilions that line up on the beach. The rain falls on the A-listers as they climb the stairs to the Palais, and on the stoic huddled masses who gather behind the police cordons. Everybody’s bedraggled and windswept; it feels as though the whole town’s been at sea. “My main wish is that we see some great films this year,” says Iris Knobloch, the festival’s president, casting an anxious eye at the sky. “But also I’m wishing for a little sunshine as well.”
If it’s raining in Cannes,...
The Cannes film festival opens just as the heavens do, too. It’s raining on the red carpet and on the black limousines and on the immaculate white pavilions that line up on the beach. The rain falls on the A-listers as they climb the stairs to the Palais, and on the stoic huddled masses who gather behind the police cordons. Everybody’s bedraggled and windswept; it feels as though the whole town’s been at sea. “My main wish is that we see some great films this year,” says Iris Knobloch, the festival’s president, casting an anxious eye at the sky. “But also I’m wishing for a little sunshine as well.”
If it’s raining in Cannes,...
- 5/18/2024
- by Xan Brooks
- The Guardian - Film News
Cannes film festival
A star player at an elite tennis school decides to stay silent when the head coach is suspended in Leonardo Van Dijl’s absorbing movie of things unsaid and subjects avoided
Filmgoers are currently gobbling up Luca Guadagnino’s tennis comedy Challengers with its hilariously imagined sexual dynamic between a female coach and male players. This debut feature from Belgian film-maker Leonardo Van Dijl, produced by Jean-Pierre and Luc Dardenne, is a reminder that in the real world, the gender relations of sex and power in tennis – or anywhere – are generally pretty different. Julie Keeps Quiet is a tense, absorbing movie of silences and absences, of difficult terrain skirted around, of subjects avoided. It’s a reminder that in key situations, to keep quiet is a stressful, strenuous and, crucially, public activity – and a survival instinct that many young people have to learn.
The scene is an...
A star player at an elite tennis school decides to stay silent when the head coach is suspended in Leonardo Van Dijl’s absorbing movie of things unsaid and subjects avoided
Filmgoers are currently gobbling up Luca Guadagnino’s tennis comedy Challengers with its hilariously imagined sexual dynamic between a female coach and male players. This debut feature from Belgian film-maker Leonardo Van Dijl, produced by Jean-Pierre and Luc Dardenne, is a reminder that in the real world, the gender relations of sex and power in tennis – or anywhere – are generally pretty different. Julie Keeps Quiet is a tense, absorbing movie of silences and absences, of difficult terrain skirted around, of subjects avoided. It’s a reminder that in key situations, to keep quiet is a stressful, strenuous and, crucially, public activity – and a survival instinct that many young people have to learn.
The scene is an...
- 5/18/2024
- by Peter Bradshaw
- The Guardian - Film News
Yorgos Lanthimos’ Kinds Of Kindness has landed top of Screen International’s Cannes jury grid with an average score of 2.4.
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
- 5/18/2024
- ScreenDaily
With Maite Alberdi, twice Oscar nominated for her last two docus, “The Eternal Memory” and “The Mole Agent,” and Tana Gilbert whose feature debut “Malqueridas” won the Grand Prize at Venice’s Critics’ Week, Chilean documentaries are having a banner year.
Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.
Moreover, a delegation of some 15 other Chilean documentary filmmakers have swept into town with their respective projects, with themes ranging from gender issues, Indigenous peoples, climate change, teenage suicide and even, true crime.
“Chilean documentaries today touch on more universal themes, they are not so inward-looking,” Chiledoc director Paula Ossandon told Variety.
One of them, “Oasis,” has been picked up by Argentina’s Compañía de Cine to handle its international sales. Created by the Mafi filmmakers collective, this feature doc, which premiered at Berlinale, explores Chile’s failed attempt to...
Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.
Moreover, a delegation of some 15 other Chilean documentary filmmakers have swept into town with their respective projects, with themes ranging from gender issues, Indigenous peoples, climate change, teenage suicide and even, true crime.
“Chilean documentaries today touch on more universal themes, they are not so inward-looking,” Chiledoc director Paula Ossandon told Variety.
One of them, “Oasis,” has been picked up by Argentina’s Compañía de Cine to handle its international sales. Created by the Mafi filmmakers collective, this feature doc, which premiered at Berlinale, explores Chile’s failed attempt to...
- 5/18/2024
- by Anna Marie de la Fuente
- Variety - Film News
At this point, any actor signing on for a Yorgos Lanthimos film knows they wont be resting on their laurels. Literally. One of his trademarks is a kind of heightened physicality — whether its Rachel Weisz and Joe Alwyn twerking in “The Favourite,” Emma Stone “furious jumping” in “Poor Things” or Nicole Kidman lending a man a hand, so to speak, in a parking lot in “The Killing of a Sacred Deer.”
This kind of movement, be it awkward, sexy or just bizarre, came up on Saturday during the Cannes Film Festival press conference for Lanthimos’ latest, “Kinds of Kindness.” Reunited with Stone, Willem Dafoe and Margaret Qualley, and newcomers Jesse Plemons, Mamoudou Athie, Hunter Schafer and Hong Chau, the new project sees the acting troupe engage in group sex, hardcore breakdancing, reckless driving and some light cannibalism. Another day on a Lanthimos set.
“I certainly don’t mistreat the body,...
This kind of movement, be it awkward, sexy or just bizarre, came up on Saturday during the Cannes Film Festival press conference for Lanthimos’ latest, “Kinds of Kindness.” Reunited with Stone, Willem Dafoe and Margaret Qualley, and newcomers Jesse Plemons, Mamoudou Athie, Hunter Schafer and Hong Chau, the new project sees the acting troupe engage in group sex, hardcore breakdancing, reckless driving and some light cannibalism. Another day on a Lanthimos set.
“I certainly don’t mistreat the body,...
- 5/18/2024
- by Matt Donnelly and Ellise Shafer
- Variety - Film News
Prior to his seven-year stint on "Star Trek: Voyager," Robert Picardo had a lengthy and storied acting career. He was a Joe Dante regular, appearing in "The Howling," "The Explorers," "Innerspace," "The 'Burbs," "Matinee," and "Gremlins 2: The New Batch." He appeared in "Star 80," Ridley Scott's "Legend," the zombie cop film "Dead Heat," and Robert Englund's directorial debut "976-evil." This was all mixed in with plentiful TV work and multiple appearances on stage. Picardo has never been not busy, most recently appearing on a 2024 episode of "Young Sheldon."
Had Picardo never taken the "Star Trek" gig, he still would not have been hurting for work. "Voyager" just happened to be a sizable feather in his cap. "Voyager" simply boosted the actor's visibility and gained him legions of Trekkie fans. On "Voyager," Picardo played the U.S.S. Voyager's nameless Doctor, an Emergency Medical Hologram that had to...
Had Picardo never taken the "Star Trek" gig, he still would not have been hurting for work. "Voyager" just happened to be a sizable feather in his cap. "Voyager" simply boosted the actor's visibility and gained him legions of Trekkie fans. On "Voyager," Picardo played the U.S.S. Voyager's nameless Doctor, an Emergency Medical Hologram that had to...
- 5/18/2024
- by Witney Seibold
- Slash Film
Unspooling May 18 as part of an overall Swiss Focus at the Marché du Film, Solothurn Film Festival Goes to Cannes marks the first collaboration between the long-standing Swiss festival and the Cannes market, but also a first for many of the talents and producers carefully picked for the event.
Two of Switzerland’s top documentary filmmakers Jacqueline Zünd, winner of a 2019 Crystal Bear nominated for “Where We Belong,” and Nicholas Steiner, director of “Above & Below”, ranked among Variety reviewer Peter Debruge’s Top 10 films of 2015, are set to attract buyers, sales agents and programmers’ attention with their star-stubbed fiction debuts.
In “Do You Believe in Angels, Mr Drowak,” Steiner has hired Karl Markovics, star of the 2008 Oscar winner “The Counterfeiters”, rising acting talent Lune Wedler, Lars Eidinger and Dominique Pinon.
“After two cinematic documentaries that ran worldwide and an original Netflix series [“Dig Deeper-The Disappearance of Birgit Meier”], I was excited to create this technically demanding,...
Two of Switzerland’s top documentary filmmakers Jacqueline Zünd, winner of a 2019 Crystal Bear nominated for “Where We Belong,” and Nicholas Steiner, director of “Above & Below”, ranked among Variety reviewer Peter Debruge’s Top 10 films of 2015, are set to attract buyers, sales agents and programmers’ attention with their star-stubbed fiction debuts.
In “Do You Believe in Angels, Mr Drowak,” Steiner has hired Karl Markovics, star of the 2008 Oscar winner “The Counterfeiters”, rising acting talent Lune Wedler, Lars Eidinger and Dominique Pinon.
“After two cinematic documentaries that ran worldwide and an original Netflix series [“Dig Deeper-The Disappearance of Birgit Meier”], I was excited to create this technically demanding,...
- 5/18/2024
- by Annika Pham
- Variety - Film News
In this first look from “Peter Pan’s Neverland Nightmare” — from the makers of slasher horror hit “Winnie-the-Pooh: Blood and Honey” — Martin Portlock plays an evil, murderous and disfigured version of the children’s character.
The Jagged Edge Productions film — being sold by ITN Studios in Cannes — follows Wendy Darling as she strikes out in an attempt to rescue her brother Michael from “the clutches of the evil Peter Pan.” Along the way she meets Tinkerbell, who in this twisted version of the story will be seen taking heroine, convinced that it’s pixie dust. Scott Chambers writes and directs while Rhys Frake-Waterfield, who directed “Winnie-the-Pooh: Blood and Honey,” produces.
The cast includes Megan Placito, Peter Desouza-Feighoney (“The Popes Exorcist”), Kit Green, Martin Portlock (“Wolf Manor”), Nicholas Woodeson, Kierston Wareing (“Fish Tank”), Olumide Olorunfemi (“Venom: Let There Be Carnage”), Teresa Banham, Charity Kase and Campbell Wallace.
Currently shooting in the U.
The Jagged Edge Productions film — being sold by ITN Studios in Cannes — follows Wendy Darling as she strikes out in an attempt to rescue her brother Michael from “the clutches of the evil Peter Pan.” Along the way she meets Tinkerbell, who in this twisted version of the story will be seen taking heroine, convinced that it’s pixie dust. Scott Chambers writes and directs while Rhys Frake-Waterfield, who directed “Winnie-the-Pooh: Blood and Honey,” produces.
The cast includes Megan Placito, Peter Desouza-Feighoney (“The Popes Exorcist”), Kit Green, Martin Portlock (“Wolf Manor”), Nicholas Woodeson, Kierston Wareing (“Fish Tank”), Olumide Olorunfemi (“Venom: Let There Be Carnage”), Teresa Banham, Charity Kase and Campbell Wallace.
Currently shooting in the U.
- 5/18/2024
- by Alex Ritman
- Variety - Film News
In the Canadian cities of Montreal and Winnipeg, a futile tension exists between French and English speakers — doubly silly, since the country is officially bilingual. In his gently satirical “Universal Language,” writer-director Matthew Rankin imagines a rather fanciful solution, where Farsi is now the region’s dominant tongue. Taking his cues from such Iranian classics as “Children of Heaven” and “The White Balloon,” Rankin mixes the humanism of Majid Majidi, Jafar Panahi, et al. with his own peculiar brand of comedy (as seen in the more off-the-wall “The Twentieth Century”), offering a delightful cross-cultural hybrid designed to celebrate our differences.
Though Rankin shows a genuine affection for all things Persian, the first and most obvious hiccup to his premise is that audiences don’t necessarily share his interest or his references. There’s something inherently provocative — and perhaps even triggering to some — about seeing a nondescript Canadian elementary school where...
Though Rankin shows a genuine affection for all things Persian, the first and most obvious hiccup to his premise is that audiences don’t necessarily share his interest or his references. There’s something inherently provocative — and perhaps even triggering to some — about seeing a nondescript Canadian elementary school where...
- 5/18/2024
- by Peter Debruge
- Variety - Film News
Last summer’s strikes, as writers and actors took on the studios, led to historic change – but how is the industry faring now?
Fans of Pete Davidson who tuned in to watch him host Saturday Night Live were disappointed to find a rerun instead. Viewers of Stephen Colbert, Jimmy Fallon and Jimmy Kimmel found they too had gone dark. While late-night TV had found ingenious ways to stay on air during a global pandemic, this was different.
It was a year ago this month that screenwriters hit the picket lines. Actors followed suit with a walkout in mid-July, the first time that the two unions had been on strike together since 1960. As Hollywood came to a standstill, studios were forced to the negotiating table on issues including minimum pay, streaming residuals and guardrails against the use of artificial intelligence (AI).
Fans of Pete Davidson who tuned in to watch him host Saturday Night Live were disappointed to find a rerun instead. Viewers of Stephen Colbert, Jimmy Fallon and Jimmy Kimmel found they too had gone dark. While late-night TV had found ingenious ways to stay on air during a global pandemic, this was different.
It was a year ago this month that screenwriters hit the picket lines. Actors followed suit with a walkout in mid-July, the first time that the two unions had been on strike together since 1960. As Hollywood came to a standstill, studios were forced to the negotiating table on issues including minimum pay, streaming residuals and guardrails against the use of artificial intelligence (AI).
- 5/18/2024
- by David Smith in Washington
- The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.
More to explore
Dabney Coleman, ‘9 to 5’ Star Who Made a Career Out of Playing Jerks, Dies at 92
- 5/17/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Kevin Costner’s Western Epic ‘Horizon: An American Saga’ Sells Wide Ahead of Cannes Premiere (Exclusive)
- 5/17/2024
- by Leo Barraclough
- Variety - Film News
New ‘Insidious’ Film Confirmed as Sony Sets August 2025 Release Date
- 5/17/2024
- by J. Kim Murphy
- Variety - Film News
‘Grand Theft Auto VI’ Set for Fall 2025 Release
- 5/16/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
‘Shōgun’ To Continue: FX & Hulu Eye Two More Seasons Of James Clavell Adaptation
- 5/16/2024
- by Nellie Andreeva and Lynette Rice
- Deadline Film + TV
Dabney Coleman, ‘9 to 5’ Star Who Made a Career Out of Playing Jerks, Dies at 92
- 5/17/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Daisy Ridley on Becoming a Swimmer For ‘Young Woman and the Sea’ and Hoping to Reunite with John Boyega in New ‘Star Wars’ Film
- 5/17/2024
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
Eva Mendes Jokingly Reveals Why She’s Ok With Ryan Gosling Kissing Emily Blunt in ‘The Fall Guy’
- 5/16/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Oscar Isaac to Voice Jesus Christ in Faith-Based Animated Movie ‘The King of Kings’ (Exclusive)
- 5/16/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
Tony McFarr, Chris Pratt’s Stunt Double in ‘Guardians of the Galaxy 2’ and ‘Jurassic World’ Movies, Dies at 47
- 5/16/2024
- by Jordan Moreau
- Variety Film + TV
Kino Lorber Expands Streaming Service Featuring Ken Loach, Yorgos Lanthimos, Jia Zhangke
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Cannes: Byron Allen’s Freestyle Acquires North American Rights to ‘The Ghost Trap’ (Exclusive)
- 5/17/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Mena Suvari and Antoine Olivier Pilon to Star in Psychological Drama ‘Anatomy of the Sun’ (Exclusive)
- 5/16/2024
- by K.J. Yossman
- Variety - Film News
Neon Buys ‘The Unknown’ With Lea Seydoux, ‘Anatomy of a Fall’ Writer Arthur Harari Directing
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
Buzzfeed Studios, Lil Rel Howery Partner on Docuseries ‘Saving The Neighborhood’ (Exclusive)
- 5/17/2024
- by Brent Lang
- Variety - TV News
‘Thundermans’ Spinoff Series Set at Nickelodeon, Paramount+
- 5/16/2024
- by Joe Otterson
- Variety - TV News
Buzzfeed Studios, Lil Rel Howery Partner on Docuseries ‘Saving The Neighborhood’ (Exclusive)
- 5/17/2024
- by Brent Lang
- Variety - TV News
‘Shōgun’ To Continue: FX & Hulu Eye Two More Seasons Of James Clavell Adaptation
- 5/16/2024
- by Nellie Andreeva and Lynette Rice
- Deadline Film + TV
8 Reasons ‘The 8 Show’ Will Fill the Void Until ‘Squid Game’ Season 2
- 5/18/2024
- TV Insider
Dabney Coleman Death: ‘Yellowstone’ Creator Taylor Sheridan Honors Late Actor
- 5/18/2024
- TV Insider